Everything everything get to heaven lyricsx

Everything everything get to heaven lyricsx mac#

No Reptiles, from 2015 album Get To Heaven, contains a similar upwelling of lipids, with Higgs describing it thusly to The Line Of Best Fit: вЂњThe song has this theme of fat pouring down the streets and clogging every hole вЂ“ thatвЂ™s how I was feeling about the general public, me included.

This is not the first time that the imagery of fat has been central to an Everything Everything song. He searches for his God and, as Higgs described it to the NME, вЂњFinding only a congregation of greed, toxicity and waste, in the form of a sentient fatberg in the sewer, he duly prays to it, willing it to purge the decadent world above that has created it.вЂќ Weird indeed! The song follows a man who hears voices and, having more of a bicameral mind than the self-awareness that modern humans typically have, he assumes that the voices are from a god. You try to string me up You can never get the best of me Well Ive never been to California And Ill never care if I get there anyway Dont ever lose your mo.

Everything everything get to heaven lyricsx mac#

Speaking to Annie Mac during the BBC Radio 1 debut of the song, singer Jonathan Higgs introduced it as вЂњa weird one, even for usвЂќ. It might only be June, but something spectacular needs to happen between now and the end of 2015 to displace Get To Heaven as the album of the year.вЂњArch EnemyвЂќ is the second single from Everything EverythingвЂ™s fifth LP, RE-ANIMATOR. Get To Heaven, while often incandescent with rage, plays host to the most vital and exuberant music Everything Everything have ever produced. The reflective 'Warm Healer' brings a close to a hugely accomplished album from a band who continue to defy expectations. Everything Everything are playing their biggest headline show to date at the Brixton Academy in November, and on the basis of Get To Heaven it wouldn't be a surprise to see them follow suit and tackle Alexandra Palace and the like in the near future. Each track may sound completely dissimilar to the last, but Get To Heaven hangs together spectacularly well because every song on it is exuberant and audacious.ДЄnother highlight - 'The Wheel (Is Turning Now)' - showcases the kind of fevered indie that saw Foals become the arena mainstays they are today. Often, the album sounds unlike anything Everything Everything have done before. There's '60s girl group pop on 'Regret', '90s RnB on the title track, stadium-sized anthemia on 'No Reptiles', as well as the eccentric art rock that made their name. They are restless in their stylistic variation throughout their third LP. It's not just structures that the band experiment with, either.

As music students, the band studied popular song structures and form, but they don't so much rip up the rulebook as blow it to pieces here. Album opener 'To The Blade' starts with glitchy synths and exposed vocals, before kicking into a bombastic, cock-rock section and then hurtling into a math rock sequence, all in the space of just over a minute. The band eschew more traditional song structures, rattling instead from one striking musical idea to another. There's a Yeezus-like capriciousness to this LP. There's something eminently Mancunian about the way the vivacious music transcends gloomy, fraught lyrics on Get To Heaven.Д®verything Everything interviewed: 'We know some people will hate our new album' At one point, the title track's joyous chorus is counter-pointed by the apocalyptic lyric, 'I'm thinking, 'what was my password?' as the vultures land'. 'The interesting thing was trying to undercut some of the anger in the lyrics with the joy in the music,' drummer Michael Spearman told us recently. The album's dark semantics are paired elegantly with some of the most vivacious music the band has ever produced. There's weighty topics on this record - global conflicts, extremism (there's a reason the album is called Get To Heaven after all), the fall of man, existentialism and nihilsm. Daring lead single 'Distant Past', a brilliantly eccentric Ibiza-mix banger, warns of the Neanderthal in all of us - the London riots of 2011 showed just how easily people can revert to primitive, chest beating ancestors, and that's something Everything Everything play on heavily with their third LP. Rage and fear run through Get To Heaven like words through a stick of rock. It's the crowning moment of a bold third album which sees the Salford four-piece balance distressing themes with their most emphatic tunes to date. 'It's alright, to feel like a fat child in a pushchair/Old enough to run, old enough to fire a gunГўв‚¬В¦' Call off the search, here's the chorus of 2015 on Everything Everything's 'No Reptiles', the darkly cynical penultimate track of Get To Heaven.